With every passing year and an increasing amount of publications that discuss humanity's transition and total immersion in the digital realm, I long for the days in the future where we move away from the hyperspecific, hyperreal arena of the digital domain and back to physical reality.
Perhaps this will occur as a trend that becomes "hip" among a select few. As a meme, notions of physical reality will reappear as some folks choose to "tune out" or go back to the "retro" days of physical media and property. Compact discs will come back, stores will stock them and people will buy them. They'll be the hip thing like the vinyl resurgence—that started in 2008 or so—was (and still is, to some extent). People will write letters. (Perhaps even the postal service will make money again.)
This retro impulse will leave us all more focused on one thing at a time. Instead of streaming video while ordering pizza while Facetiming while Facebooking while tweeting, we might actually live in actual moments. We'll focus more on the things around us. We'll see leaves fall to the ground. We'll feel the booklet that came with the album. We'll see art in person instead of looking at virtual museums online.
And, in this future, we'll be open to more of the world around us because the physical world allows for more distraction rather than less.
We'll become better. We'll become smarter.
Showing posts with label meme. Show all posts
Showing posts with label meme. Show all posts
Friday, November 1, 2013
Thursday, February 21, 2013
Is Verizon Making Us Meme Machines?
Every two years or so, I get an email from Verizon—my mobile phone service provider—saying it's time to upgrade my device. Normally, like when I had my first Nokia phone ten years ago, I jump at the chance, drop into the store, and pick up a new phone.
Two years ago when that deadline appeared, however, I upgraded to an iPhone, so when the time came to upgrade again, I declined. The phone works great, helps me stay connected to my job, keeps me entertained, that sort of thing. I didn't have any reason to change.
My wife is on the cell phone plan too, and this time she wanted an upgrade (on her phone, not her husband). So, after much harangue from the Verizon clerk to get this or that with this screen protector and that case and this charger and this belt strap carrier and the like, she went with her first choice: a free iPhone 4 with no case, no carrier, no screen protectors, nothing.
Then things got interesting, but not in a telecommunications-type way. It turns out that we had been on a grandfathered calling plan, capping our calls at 700 minutes a month and allowing us only (only!) 250 texts each. Verizon doesn't have those plans any more, and we were forced to switch due to the upgrade.
In the end, the change saves us money. But upon further investigation of what we signed up for, some interesting details appeared.
Gone are the days of choosing a cell phone plan with a certain number of available talking minutes. We're no longer limited to 700 minutes, or 450 minutes, or 10,000 minutes; we can now talk to whoever we want for however long we like. And we're not limited in our texting either. Sure, iPhone to iPhone texts don't count for anything, but our new plan allows us to text anyone as much as we like, and our charges stay the same.
Now, though, our data is capped. This, on the surface, isn't a problem for either of us. We regularly use less than .5 gigabytes with both of our phones combined. But capped data—and the rest of Verizon's new plans—reveal something very interesting about how we communicate.
They are encouraging us to spread our ideas.
If you subscribe to the philosophical beliefs of someone like Susan Blackmore, we've evolved to be carriers for cultural genetics. We have evolved as a species to pass along cultural information in the form of memes. Not only that, but memes have FORCED our hand to evolve into better meme-spreaders. So, years and years ago, we developed language, not to be able to tell each other what to do, but to be better able to transmit memes to one another.
The modern digital age, according to memeticists like Blackmore, exists for that reason. Cell phones, the Internet, television, and radio, all exist so that we can pass information along to one another. Memes rule us and our technologies. Ideas, dance moves, songs, jokes, fashion trends, all have their root in our lives as memes, existing only to be spread from person to person. (Do we really need "Gangnam Style" to exist as a species? How about iPods? Color-coordinated sneakers?)
Verizon's new Share Everything plans blow that "secret"—that modern technology exists not to benefit us, but to benefit the transmission of memes—wide open. Verizon is banking on increasingly fast transmission times, larger phone screens, and the ability to talk or text anyone, anywhere, wherever and tying those capabilities into our natural tendencies—and the driving forces of the memes that surround us—to want to gab to each other about new things, new ideas, new memes. Sometimes we gab about existing memes that get a second wind because of vehicles like the Internet (would Rick Astley still be a cultural phenomenon if it weren't for the Internet in 2005?).
The cap isn't on a specific mode of communication. Now it's all lumped together into the catchall category of "DATA." It's all bits of information, not words or letters or emails or video. It's all just information, and we can send and receive as much as we like, provided we don't go over our cap. And if we do? We just pay a little bit more.
Even the handle of "Share Everything" indicates what is behind Verizon's plan structure changes. If you've got something to say, sing, post, write, or draw, you should do it. They have the bandwidth to let you do it.
The memes have forced our hands, and the large telecommunications firms have obliged them. This isn't necessarily a detrimental thing as far as our society at large is concerned; it's just that it's terribly revealing to see evidence of humanity's memeplex in your run-of-the-mill cell phone bill.
Two years ago when that deadline appeared, however, I upgraded to an iPhone, so when the time came to upgrade again, I declined. The phone works great, helps me stay connected to my job, keeps me entertained, that sort of thing. I didn't have any reason to change.
My wife is on the cell phone plan too, and this time she wanted an upgrade (on her phone, not her husband). So, after much harangue from the Verizon clerk to get this or that with this screen protector and that case and this charger and this belt strap carrier and the like, she went with her first choice: a free iPhone 4 with no case, no carrier, no screen protectors, nothing.
Then things got interesting, but not in a telecommunications-type way. It turns out that we had been on a grandfathered calling plan, capping our calls at 700 minutes a month and allowing us only (only!) 250 texts each. Verizon doesn't have those plans any more, and we were forced to switch due to the upgrade.
In the end, the change saves us money. But upon further investigation of what we signed up for, some interesting details appeared.
Gone are the days of choosing a cell phone plan with a certain number of available talking minutes. We're no longer limited to 700 minutes, or 450 minutes, or 10,000 minutes; we can now talk to whoever we want for however long we like. And we're not limited in our texting either. Sure, iPhone to iPhone texts don't count for anything, but our new plan allows us to text anyone as much as we like, and our charges stay the same.
Now, though, our data is capped. This, on the surface, isn't a problem for either of us. We regularly use less than .5 gigabytes with both of our phones combined. But capped data—and the rest of Verizon's new plans—reveal something very interesting about how we communicate.
They are encouraging us to spread our ideas.
If you subscribe to the philosophical beliefs of someone like Susan Blackmore, we've evolved to be carriers for cultural genetics. We have evolved as a species to pass along cultural information in the form of memes. Not only that, but memes have FORCED our hand to evolve into better meme-spreaders. So, years and years ago, we developed language, not to be able to tell each other what to do, but to be better able to transmit memes to one another.
The modern digital age, according to memeticists like Blackmore, exists for that reason. Cell phones, the Internet, television, and radio, all exist so that we can pass information along to one another. Memes rule us and our technologies. Ideas, dance moves, songs, jokes, fashion trends, all have their root in our lives as memes, existing only to be spread from person to person. (Do we really need "Gangnam Style" to exist as a species? How about iPods? Color-coordinated sneakers?)
Verizon's new Share Everything plans blow that "secret"—that modern technology exists not to benefit us, but to benefit the transmission of memes—wide open. Verizon is banking on increasingly fast transmission times, larger phone screens, and the ability to talk or text anyone, anywhere, wherever and tying those capabilities into our natural tendencies—and the driving forces of the memes that surround us—to want to gab to each other about new things, new ideas, new memes. Sometimes we gab about existing memes that get a second wind because of vehicles like the Internet (would Rick Astley still be a cultural phenomenon if it weren't for the Internet in 2005?).
The cap isn't on a specific mode of communication. Now it's all lumped together into the catchall category of "DATA." It's all bits of information, not words or letters or emails or video. It's all just information, and we can send and receive as much as we like, provided we don't go over our cap. And if we do? We just pay a little bit more.
Even the handle of "Share Everything" indicates what is behind Verizon's plan structure changes. If you've got something to say, sing, post, write, or draw, you should do it. They have the bandwidth to let you do it.
The memes have forced our hands, and the large telecommunications firms have obliged them. This isn't necessarily a detrimental thing as far as our society at large is concerned; it's just that it's terribly revealing to see evidence of humanity's memeplex in your run-of-the-mill cell phone bill.
Labels:
art,
artist statement,
Gangnam Style,
Internet,
iPod,
meme,
memetics,
paper,
rambling,
Self-indulgence,
shoes,
Susan Blackmore,
teme
Saturday, January 14, 2012
Strangers Pick the Best of 2011
Each December, the users of the online forum ufck.org submit their votes for the best albums of the previous year. All of the submitted lists are tallied by some dear soul who has the time to assign point values to each record.
My relationship with the UFCK folks has changed quite a bit over the last year. The UFCK Photo Project was a big step for me integrating myself into the community and becoming a regular. In the past, the only claim to fame I had was the occasional animated .gif I would throw together in Photoshop.
I submitted a list of albums this year for the first time. By no means a music expert, I scrolled through iTunes in the hopes I had listened to some new music during 2011. I had. Nothing extensive, to be sure, but there was enough variety that I culled together my favorites from among the critically acclaimed to the less-so.
Several things happened during this year's UFCK top 25 voting. State Champion, a relatively unknown (save for UFCK.org) rock band from Louisville, took top prize. I met frontman Ryan Davis during my photo trip, and photographed him for the project, despite his never having been a member of the message board. (Though the band has been fodder for many a fantastic board experience.) Enough nice things cannot be said about him, especially considering I met up with him at his place at 9am, while he and his girlfriend were getting ready to head up to Kings Island for the day.
To access the list of UFCK's top 25 albums of 2011, go here. What you'll find is a mix of eclectic and fantastic music. With each entry on the list you'll also find a custom blurb written by a member of the forum. Sometimes the blurbs are ironic, sometimes they are clever. Other times, they are simply a litany of inside jokes that any outsider (or boarder with fewer than 50,000 posts) would fail to understand. The blurbs are usually more descriptive of the person who wrote them than of the record they're describing.
Take a look and you'll learn about UFCK, some new music, and the lives of people who take their music very, very seriously*.
And you'll also have a chance to download, print, and enjoy your very own State Champion Activity Book. Happy coloring!
* This blog does not endorse Dave's Rawk Blog, its opinions, or any of its absurdity. It is worth experiencing at least once, though.
My relationship with the UFCK folks has changed quite a bit over the last year. The UFCK Photo Project was a big step for me integrating myself into the community and becoming a regular. In the past, the only claim to fame I had was the occasional animated .gif I would throw together in Photoshop.
I submitted a list of albums this year for the first time. By no means a music expert, I scrolled through iTunes in the hopes I had listened to some new music during 2011. I had. Nothing extensive, to be sure, but there was enough variety that I culled together my favorites from among the critically acclaimed to the less-so.
Several things happened during this year's UFCK top 25 voting. State Champion, a relatively unknown (save for UFCK.org) rock band from Louisville, took top prize. I met frontman Ryan Davis during my photo trip, and photographed him for the project, despite his never having been a member of the message board. (Though the band has been fodder for many a fantastic board experience.) Enough nice things cannot be said about him, especially considering I met up with him at his place at 9am, while he and his girlfriend were getting ready to head up to Kings Island for the day.
To access the list of UFCK's top 25 albums of 2011, go here. What you'll find is a mix of eclectic and fantastic music. With each entry on the list you'll also find a custom blurb written by a member of the forum. Sometimes the blurbs are ironic, sometimes they are clever. Other times, they are simply a litany of inside jokes that any outsider (or boarder with fewer than 50,000 posts) would fail to understand. The blurbs are usually more descriptive of the person who wrote them than of the record they're describing.
Take a look and you'll learn about UFCK, some new music, and the lives of people who take their music very, very seriously*.
And you'll also have a chance to download, print, and enjoy your very own State Champion Activity Book. Happy coloring!
* This blog does not endorse Dave's Rawk Blog, its opinions, or any of its absurdity. It is worth experiencing at least once, though.
Thursday, March 24, 2011
New Project
This is how the conversation always starts when I have to talk about my newest photo project:"There's this website..."
And then someone asks who these people are. And I say, "Well, I 'know' these people... from the Internet."
Which is sort of true. I do know these people. But not as friends. They're e-acquaintances. Some more than others. And that's kind of the point of the project.
The website in question is an Internet forum I discovered years ago as an undergrad. The original incarnation of the website centered on music discussion and tape trading in the days before FTP and widespread mp3 files.
The latest incarnation of the site is more general in nature. Topics of discussion still include music, but politics, television, pop culture, video games, and food are also more prominent in the mix.
This project will consist of portraits of posters from this website. With the help of a generous stipend from Eastern Oregon's Faculty Scholars program, I will travel the country this summer photographing my fellow Internet posters. The idea is to uncover the "real" person behind the Internet persona, though anonymity still overrides each image since most viewers will have no idea at whom they're looking.
With widespread digital interaction taking place every day, from Facebook to MySpace to Twitter to Internet message boards to online education, personalities are becoming more and more niched and fictional.
In the past, my work focused on fictional personalities that I had constructed and created to seem real. Now my work shifts focus to real people and their self-made fictional personalities. And with the added barrier of the portrait - which can be as fictional as a user's Internet identity - these subjects might just take on an even larger fictional role.
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